Sarah Mary Chadwick {Sugar Still Melts In The Rain}
Australian multi-instrumentalist and visual artist Sarah Mary Chadwick reveals the video for the title track of her forthcoming new album Sugar Still Melts In The Rain. The LP is set for release on May 11 via Sinderlyn and will mark her first for the label.
Sugar Still Melts In The Rain is the follow up to Sarah's 2016's Rice Is Nice LP. It was recorded and mixed by friend, musician and filmmaker Geoffrey O'Connor in Vanity Lair and Phaedra Studios in Melbourne. O'Connor directed today's video as well. The album came together rather quickly partly as a result of the duo's commitment to efficiency and partly due to Sarah's lack of attachment to the idea of "the perfect vocal take." She knows she isn't a virtuoso; tongue firmly in check, she is quick to reference those limitations mockingly. Yet, it's within those boundaries that she thrives, disinterested in the perfect take in lieu of her best take - unique, somber and raw.
Before embarking on a solo career, Sarah spent a decade fronting the grunge band Batrider. Eventually becoming tired of the collaborative requirements intrinsic to band life, she shifted her focus to songwriting independently, drawing inspiration from "weird old New Zealand musicians" like Peter Jefferies, Chris Knox, and Australia's Pip Proud and the way they tinker away and work for decades for "little to no commercial success." This inspiration is obvious in Sarah's performance as she simultaneously savors and mocks the pedestal that her creativity affords her, acknowledging that "it's a position of power being on a microphone" and how "it's a desperate demand to be seen. It's funny and really sad."
Sugar Still Melts In The Rain is the follow up to Sarah's 2016's Rice Is Nice LP. It was recorded and mixed by friend, musician and filmmaker Geoffrey O'Connor in Vanity Lair and Phaedra Studios in Melbourne. O'Connor directed today's video as well. The album came together rather quickly partly as a result of the duo's commitment to efficiency and partly due to Sarah's lack of attachment to the idea of "the perfect vocal take." She knows she isn't a virtuoso; tongue firmly in check, she is quick to reference those limitations mockingly. Yet, it's within those boundaries that she thrives, disinterested in the perfect take in lieu of her best take - unique, somber and raw.
Before embarking on a solo career, Sarah spent a decade fronting the grunge band Batrider. Eventually becoming tired of the collaborative requirements intrinsic to band life, she shifted her focus to songwriting independently, drawing inspiration from "weird old New Zealand musicians" like Peter Jefferies, Chris Knox, and Australia's Pip Proud and the way they tinker away and work for decades for "little to no commercial success." This inspiration is obvious in Sarah's performance as she simultaneously savors and mocks the pedestal that her creativity affords her, acknowledging that "it's a position of power being on a microphone" and how "it's a desperate demand to be seen. It's funny and really sad."
Comments
Post a Comment